The orchestra tuning started and was over in a matter of seconds.
Originally this is a live performance of classical music,
A trio of Kali Malone, Lucy Railton and Stephen O'Malley synthesizing overtones that once appeared in Giacinto Scelsi's work, like a sine wave oscillator, guitar and cello forever tuned to this different sound from "A". They created a simple and ambient work that is different from the spectral school of composition, which is a compositional methodology that captures acoustic phenomena as sound waves, analyzes the spectrum of the overtones, and synthesizes the overtones theoretically.
The best I've heard in years now that I was not expecting any new ambient stuff.
Each chapter of the "Theory of Becoming" is bound to an event, emotion of thought that has played an important role in my life. While composing this music I felt I was exploring musical worlds completely new and unknown to me. Now that this work is finished, I realise that I have only returned to the paths that attracted me from my very first steps as a composer. The difference today is that,due to the experiences I've made since,I feel able to go further on these paths and where they really lead. The sound world of this album can be regarded as a kind of "augmented reality of acoustic instruments". It is created from recordings I make with real and virtual intruments, which I sub-sequently alter. The numerous transformations the instruments undergo allow me to capture their acoustic nature while also adding techniques and colours that are completely impossible to produce in reality. This process leads to new and unexpected,yet organically grounded sounds.
Evgueni Galperine
これからもこの手の作品はいろんな方から発信されると思います。
From now on, I think that this kind of work will be sent from various people.
In my case, Szymanowski's Symphony No. 3 and Violin Concerto were my favorites and I listened to them, but I haven't been able to listen to his piano pieces.
Now, the piano music and romantic come back to life like it happened the other day!
It hurts, I fell in love with it,, it hurts, dear.
More complex than Chopin, more lyrical than Debussy
Am I the only one who wants to listen to Szymanowski as Christmas approaches?
