はい、ブルックナーは40年以上聴いています、でも5番は一時期ほとんど聴いていませんでした。そう30年くらいかな、確かに2楽章はブルックナーのアダージョの中でも特に好きな曲に入っていました。しかし全楽章となるといまいち乗れない。
ところが最近どうしてこんなにノリがよいのでしょうか？
それは現在の自分の状況が精神的に当時のブルックナーの状況と似ていたから、、
と勝手に結び付けてはいろいろの演奏で探ってみたいと思います。
まずはこの演奏から、
Yes, I've been listening to Bruckner for over 40 years, but I haven't listened to Symphony No. 5 for a while. Yes, for about 30 years, the 2nd movement was certainly one of Bruckner's favorite songs in Adagio. However, when it comes to all movements, I can't ride it.
However, why is it so good these days?
That's because my current situation was mentally similar to Bruckner's situation at the time,
I would like to explore it with various performances by connecting it without permission.
First of all, from this performance
ロジェストヴェンスキーの演奏は豪放かつ繊細な金管の雄叫びはすばらしくすっきり爽快に聴こえる。
5番交響曲のシャルク版での違いであるが、巷ではいいのわるいのと意見が分かれているようだが、8番交響曲での初版と2版の違いほどの差は見いだせない。この場合の版の違いは指揮者の違い程度にしか僕には思われない。よってクナッパーツブッシュの場合も同様に捉えている。
最晩年のCDもいつかチェックしたい。
The performance of Rozhdestvensky is brilliant and the delicate brass screams are wonderfully refreshing.
It is a difference between the 5th Schalk version, but it seems that there are disagreements that it is good in the streets, but I can not find the difference as much as the difference between the first edition and the 2nd edition in the 8th symphony. The difference between the editions in this case seems to me only to the extent of the difference in the conductor. Therefore, the case of Knappertsbusch is also considered in the same way.
I also want to check his CD of his last years.
おっと40年ぶりくらいに聴くと、これは、朝比奈の演奏と違い、しゃくっているぞ。
特に2楽章はウィーンフィルのオーボエの音色が独特というのもあるが、演奏者はよく歌っているぞ！！
3楽章はテンポ早めでワルツを踊っている感じではないな、少し分裂気味。
4楽章もテンポ早めで十分金管の響きが出し切れていない感あり。
Next is the Maazel / Vienna Philharmonic with the performance that I started listening to this work.
Oops, when I listen to it for the first time in 40 years, it's different from Asahina's performance, and it's crunchy.
Especially in the 2nd movement, the tone of the Vienna Philharmonic oboe is unique, but the performers often sing! !!
The 3 movements are a little split, not like dancing Waltz at an early tempo.
The tempo of the 4 movements is too early, and there is a feeling that the sound of the brass is not fully produced.
ブルックナーの良さがわからなくなってきた中学校3年にチェックした1枚
今聴くとところどころテンポに変化がある。また聴きなおしたい1枚
One piece I checked in the third year of junior high school when I didn't understand the goodness of Bruckner
When I listen to it now, there are some changes in the tempo. One piece that I want to listen to again.
クナのCDを確認し始めた1枚
One piece that started to check the CD of Knappertsbusch
さらに10数年以上経って探したヴァント盤、縦がそろっていて演奏としては完璧
The Wand board, which I searched for more than 10 years later, is perfectly aligned and perfect for playing.
大好きな2楽章が特に遅く感じる！ 胃にもたれる消化不良起こしそう。
I feel my favorite 2 movements are especially late!
It is likely to cause indigestion leaning on the stomach.
これも2楽章のテンポは遅いがチェリのようにもたれない、すっきり爽快なのには驚かされる、皮相的といったら失礼だが美しい音楽には違いない。
Again, the tempo of the two movements is slow, but it doesn't lean like Celibidache, it's amazing how refreshing it is, and it must be rude but beautiful music if it's superficial.
朝比奈の最高といわれるこの演奏は初めて確認した。
CDは持っていないので購入したくなった。噂通り5番の朝比奈の最高タクトかもしれない。
For the first time, I confirmed this performance, which is said to be the best of Asahina.
I don't have a CD, so I wanted to buy one. As rumored, it may be Bruckner's No. 5 Asahina's best tact.
現在現役で最もブルックナー指揮者として僕が注目しているブロムシュテット。
先日のベルリンフィルとの5番も含めて将来CDで入手したい。
Blomstedt, who is currently the most active conductor of Bruckner, is the focus of my attention.
I would like to get it on CD in the future, including No. 5 with the Berlin Philharmoniker the other day.
そして、この2年近くブル5を聴き直すきっかけと作ってくれた下野竜也のライブ。
たっぷり響かせるのを基本にもう一度のこの曲の良さを再認識させてくれた。
感謝したい。
And the live performance of Tatsuya Shimono who made the opportunity to re-listen to Bruckner Symphony No. 5 for almost two years.
It reminded me of the goodness of this song once again based on the fact that it resonates a lot.
I want to thank him.
最近ブルックナーの全集が出た。当時若杉といえば日本初演を多く手がけた人。
きめ細かで他の指揮者とは違う味を出している、いつか一度全曲をチェックしたい。
Recently, his complete works of Bruckner have been released. At that time, Hiroshi Wakasugi was the person who did many premierees in Japan.
He's fine-tuned and tastes different from other conductors, and one day I'd like to check out all the symphonies.
ずーと気になっていたクレンペラー。
ウィーンフィルの音よろしい、明らかにメロディの歌わせ方が違うぞ！
タワレコから出た別オケの全集もまた確認したい。
Klemperer that I was always interested in.
The sound of the Vienna Philharmonic is good, and the way he sings the melody of this work is obviously different!
I also want to check the complete collection of other orchestras from Tower Records.
SACDハイブリッド盤で最近購入したが元の録音が良いし、金管の突き抜け感やテンポの振らし方、例えばリタルダンドの使い方が大変良いと思う。
I recently purchased it on a SACD hybrid board, but the original recording is good, and I think the brass penetration and tempo fluctuations, such as how to use ritardando, are very good.
他の指揮者、マタチッチ、ブーレーズ、フルベン、シノーポリなどが聴き込み足りない。
こうやってまだまだ、僕の精神状態が変わらない限りしばらく指揮者を替えてはこの作品を聴き続けていくと思います。
Other conductors such as Lovro von Matačić, Pierre Boulez, Wilhelm Furtwängler, Giuseppe Sinopoli, etc. are not enough for me to listen to.
I think I will continue to listen to this work by changing the conductor for a while as long as my mental state does not change.
