まずきっかけは「Anahit」という曲をNHKFMで紹介されてから、、、
一つの音の倍音成分の変化や、近接する周波数によって発するうなりが、脳内で響き渡り虜となってしまった。
これは多分、音響現象を音波として捉えその倍音をスペクトル解析したり理論的に倍音を合成することによる作曲の方法論をとるスペクトル学派にScelsiが影響を与えていたからで現代のelectronicaにそのまま直接通じることだ。
この数年electronicaを傾聴してきた僕が虜になったのも当然と言える。
2,3枚購入して聴いたがどれもアコースティックのみで、現存するどのelectronica作品よりも倍音が豊かであると思ってしまう。
electronica作品には人の演奏でできないことを期待していくと同時に
彼の作品は共同作曲者がいたことで多作に繋がっていて多くあり、シンプルな現代音楽のエッセンスをチェックしていきたい。
以下購入できたものを今後挙げていく。
At first after being introduced music called "Anahit" in NHKFM with an opportunity,
A growl to utter by the change of the harmonic overtone ingredient of one sound and frequency to approach it echoed in brain, and it has been with a captive.
Probably this is to be because Scelsi affected the spectrum school taking the methodology of the composition by catching a sound phenomenon as a sound wave, and a spectrum analyzing the harmonic overtone, and composing a harmonic overtone theoretically, and to just know modern electronica directly.
Naturally it can say that I who listened to electronica for these several years became a captive.
I purchase two or three pieces and listened, but think that a harmonic overtone is richer than which electronica work existing only in all acoustic.
At the same time to hope that I cannot do it by the performance of the person in electronica work
Because there was a cowork by the same author suspicious person, his work is connected to many products, and there is many it and I want to check extract of simple contemporary music.
I will nominate the thing which I was able to purchase as follows in future.
GIACINTO SCELSI (1905-1988)
Yamaon (1954-58) 12:02
für Bass-Stimme und 5 Instrumentalisten
1 1. Satz 3:17
2 2. Satz 5:00
3 3. Satz 3:45
4 Anahit (1965) 13:44
lyrisches Poem über den Namen der Venus
für Violine solo und 18 Instrumente
I presagi (1958) 13:30
für 10 Instrumentalisten
5 1. Satz 3:41
6 2. Satz 4:05
7 3. Satz 5:44
Roland Hermann baritone
Annette Bik violin
Pierre-Stephane Meugé saxophone
Klangforum Wien • Hans Zender conductor
Tre pezzi (1956) 9:26
für Sopransaxophon
8 1. Satz 2:43
9 2. Satz 4:07
10 3. Satz 2:36
11 Okanagon (1968) 8:33
für Harfe, Tam-Tam und Kontrabass
TT: 57:19
Giacinto Scelsi: Complete Flute Music
Artist
Claudia Giottoli flute
Raffaele D'Aniello piano
Leonardo Ramadori percussions
Natalia Benedetti clarinet
Track list
Hyxos [1955] for alto flute,2 gongs and cowbell
1. I. Tranquillo 4:03
II. Con moto 2:30
III. Tranquillo 4:17
I. — 2:55
II. — 1:54
III. Prestissimo 3:37
Quays [1954] for flute 2:35
Rucke di Guck [1957] for piccolo and oboe
9. I. — 2:41
3:07
3:50
Ko-Lho [1976] for flute and clarinet
I. — 3:20
II. — 3:01
Tetratkys [1959] for flute
I. — 8:28
4:29
8:19
4:40
1.Ohoi (for 16 strings) 'I principi creativi' (Giacinto Scelsi)
Giacinto Scelsi: Suites No.8 "Bot Ba", No.9 "Ttai"
Steffen Schleirmacher
Scelsi* - Jürg Wyttenbach, Orchestre De La Radio-Télévision Polonaise De Cracovie*, Chœur De La Philharmonie De Cracovie* – Œuvres Pour Chœur Et Orchestre
Aion | ||
1-1 | Untitled | 7:38 |
1-2 | Untitled | 3:45 |
1-3 | Untitled | 3:40 |
1-4 | Untitled | 5:02 |
Pfhat | ||
1-5 | Untitled | 1:58 |
1-6 | Untitled | 1:04 |
1-7 | Untitled | 3:03 |
1-8 | Untitled | 2:35 |
Konx-Om-Pax | ||
1-9 | Untitled | 7:26 |
1-10 | Untitled | 2:00 |
1-11 | Untitled | 2:35 |
Quattro Pezzi Per Orchestra (Ciascuno Su Una Nota Sola) | ||
2-1 | Untitled | 2:44 |
2-2 | Untitled | 4:32 |
2-3 | Untitled | 4:08 |
2-4 | Untitled | 3:55 |
2-5 | Anahit (Poème Lyrique Dédié À Vénus) | 13:05 |
Uaxuctum | ||
2-6 | I | 6:27 |
2-7 | II | 4:01 |
2-8 | III | 2:37 |
2-9 | IV | 3:10 |
2-10 | V | 3:42 |
Hurqualia | ||
3-1 | I | 4:36 |
3-2 | II | 3:29 |
3-3 | III | 4:30 |
3-4 | IV | 4:48 |
3-5 | Hymnos | 11:30 |
Chukrum | ||
3-6 | I | 5:38 |
3-7 | II | 4:05 |
3-8 | III | 2:22 |
1-9 | IV | 5:13 |
Choir – Chœur De La Philharmonie De Cracovie* (tracks: 1-1 to 2-10)
- Chorus Master – Bronislawa Wietrzny (tracks: 1-1 to 2-10)
- Composed By – Giacinto Scelsi
- Conductor – Jürg Wyttenbach
- Liner Notes – Harry Halbreich
- Liner Notes [English Translation] – Elisabeth Buzzard
- Ondes Martenot – Tristan Murail (tracks: 2-6 to 2-10)
- Orchestra – Orchestre De La Radio-Télévision Polonaise De Cracovie*
- Recorded By [Technique Et Prise De Son] – Krzysztof Drab, Lech Dudzik
- Repetiteur [Préparation De L'Orchestre] – Szymon Kawala (tracks: 1-1 to 1-11)
- Soprano Vocals – Irena Urbanska (tracks: 2-1 to 2-10), Jadwiga Jakubiak (tracks: 2-1 to 2-10)
- Supervised By [Régie Musicale] – Jerzy Noworol (tracks: 1-1 to 1-11), Tomasz Walkiewicz (tracks: 2-1 to 2-10)
- Tenor Vocals – Josef Dwojak (tracks: 2-1 to 2-10), Krzysztof Szafran (tracks: 2-1 to 2-10)
- Transferred By [Transfert Numérique] – Anna Regulska-Kazoń*
NOTE
CDs in individual card sleeves, includes a 28-page French/English booklet.
℗ 1988 (CD1), 1989 (CD2), 1990 (CD3) Universal Classics France.
© 2003 Universal Classics France, un label Universal Music.
Total times: - CD1: 47'21 - CD2: 49'42 - CD3: 47'13.
Enregistrements réalisés en l'église Sainte-Catherine de Cracovie (23, 24 & 25 juin 1988 - CD1 / 12 au 20 avril 1989 - CD2 / juin 1990 - CD3).
Works composed in 1961 (Aion), 1974 (Pfhat), 1969 (Konx-Om-Pax), 1959 (Quattro Pezzi), 1965 (Anahit), 1966 (Uaxuctum), 1960 (Hurqalia), 1963 (Hymnos & Chukrum).
The Art Song Of Giacinto Scelsi: Incantations
Marianne Schuppe
Sauh I-IV (1973) | 26:35 | |
Liturgy For Voice With Magnetic Tape | ||
Liturgia Per Voce Con Nastro Magnetico | ||
1 | I | 6:39 |
2 | II | 6:15 |
3 | III | 6:47 |
4 | IV | 6:54 |
Taiagarù (1962) | 13:01 | |
5 Invocations For Female Voice | ||
Cinque Invocazioni Per Voce Sola | ||
5 | I | 2:53 |
6 | II | 2:15 |
7 | III | 2:58 |
8 | IV | 1:54 |
9 | V | 3:01 |
Hô (1960) | 10:44 | |
4 Melodies For Female Voice | ||
Quattro Melodie Per Voce Sola | ||
10 | I | 1:52 |
11 | II | 2:42 |
12 | III | 3:27 |
13 | IV | 2:43 |
Copyright (c) – New Albion Records, Inc.
- Recorded At – Kirche Tüllingen
Credite
- Composed By – Giacinto Scelsi
- Engineer [Sound Engineer] – Willy Daum
- Liner Notes – Michael Kunkel
- Liner Notes [English Translation] – Chris Walton (4)
- Photography By – Peter Vittali
- Voice – Marianne Schuppe
Notes
Published by Ed. Salabert, Paris.
Housed in jewel case with 16 page booklet containing liner notes in English and German.
©℗ 2005 New Albion Records, Inc.
1 | Pranam II
Ensemble – Ensemble 2e2mOrgan – Livia Mazzanti |
7:09 |
2 | To The Master
Cello – Carlo TeodoroPiano – Aldo Orvieto |
14:12 |
3 | Wo Ma
Bass Vocals – Nicholas Isherwood |
14:10 |
4 | Rotativa
Conductor – Marco AngiusEnsemble – Ars Ludi Ensemble*Piano – Cristina Biagini, Marco Marzocchi |
6:33 |
5 | Trio
Ensemble – Musicateatroensemble |
5:45 |
6 | Preghiera Per Un'Ombra
Clarinet – Véronique Fèvre |
9:42 |
7 | Chukrum
Conductor – Luca PfaffOrchestra – Orchestra Di Roma E Del Lazio |
18:20 |
CREDITE
- Artwork [Drawing] – Francesco Pennisi
- Composed By – Giacinto Scelsi
- Edited By [Digital Editing] – Andrea Dandolo (tracks: 1 to 3, 5 to 7), Marco Giommoni (tracks: 4)
- Engineer [Recording] – Marco Giommoni (tracks: 4), Piero Schiavoni (tracks: 1 to 3, 5 to 7)
- Liner Notes – Guido Barbieri, Nicola Sani
- Liner Notes [English Translation] – Jonathan West (2)
- Liner Notes [French Translation] – Silvia Miguidi
NOTE
To The Master (1974) For Cello And Piano
Wo Ma (1974) For Bass Voice
Rotativa (1930) For Two Pianos And Percussion Ensemble
Trio (1950 ca.) For Vibraphone, Marimba And Percussion
Preghiera Per Un'Ombra (1954) For Clarinet In B Flat
Chukrum (1963) For String Orchestra
Tracks 1 and 6 recorded at Conservatorio di Musica di S. Cecilia - Roma, 29.12.2005
Track 2 recorded at Auditorium del Goethe-Institut Roma, 28.11.2005
Tracks 3 and 4 recorded at Auditorium del Goethe-Institut Roma, 13.11.2005
Track 4 recorded at Sala ExMacelli, Montepulciano, 3.8.2007
Track 7 recorded at Auditorium Parco della Musica, 5.2.2006
Housed in jewel case with 28 page booklet containing Italian, English and French liner notes.
Total time: 75:54
℗© 2007 Stradivarius
Made in Italy
Ed. RZ 1014 CD
Giacinto Scelsi (1905 - 1988)
Pranam I En souvenir de la perte tragique de Jani et Sia Christou for voice, 12 instrumentalists and tape, 1972 Fondazione Isabella Scelsi, Rom 1972) Michiko Hirayama, Stimme, Ad Hoc Ensemble, Ltg. Vieri Tosatti
String Quartet Nr. 4 1964 (RB 1994) Pellegrini-Quartett:
Antonio Pellegrini, 1. Violine; Thomas Hofer, 2. Violine; Charlotte Geselbracht, Viola; Helmut Menzler, Violoncello
Quattro pezzi su una nota sola for chamber orchestra, 1959 (Les Disques Solstice 1982) Ensemble 2e2m, Ltg. Luca Pfaff
Okanagon doit être considéré comme un rite et, si l'on veut, comme le battement de coeur de la Terre for harp, Tam Tam and bass (1968 (Les Disques Solstice 1982) Ensemble 2e2m, Ltg. Luca Pfaff)
String Quartet Nr. 2 1961 (WDR 1979) Berner Streichquartett: Alexander van Wijnkoop, 1. Violine; Eva Zurbrügg, 2. Violine; Henrik Crafoord, Viola; Walter Grimmer, Violoncello
Scelsi collection vol.7
Autore:
SCELSI Giacinto - (1905-1988) - Pitelli - La Spezia - ITALIA
Interpreti:
D'ERRICO ANNA (piano)
FUSI MARCO (violino)
Titolo: Suite n.6 I capricci di Ty per piano
Anno di registrazione: 2016
Tipo di registrazione: D
Titolo: Divertimento n.1 per violino e piano
Anno di registrazione: 2016
Tipo di registrazione: D
Titolo: L'Ame ailée/L'Ame ouverte per violino solo
Anno di registrazione: 2016
Tipo di registrazione: D
Titolo: Xnoybis per violino solo
Anno di registrazione: 2016
Tipo di registrazione: D
The Piano Works 3
Aki Takahashi, piano
1-7. Suite No. 10 "Ka" (1954)
Quattro Illustrazioni (1953)
8. I. Shesha-Shayi-Vishnù (3:46)
9. II. Varaha-Avatara (3:46)
10. III. Rama-Avatara (con eleganza e seduzione) (2:36)
11. IV. Krishna-Avatara (calmo, radioso) (4:06)
Sonate No.3 (1939)
12. I. Lento, rubato (8:41)
13. II. Con dolcezza (5:11)
14. III. (6:06)
Cinque Incantesimi (1953)
15. I. Deciso imperioso (2:23)
16. II. Presto (wild and strident) (1:37)
17. III. Agitato (1:40)
18. IV. Lento (Misterioso, soprannaturale) (3:33)
19. V. (wild and strident) (2:10)
20. Un Adieu (1978/88?) (6:58)
Canti del Capricorno
- Edition: CD
- Year:2007
- Order No.:WER 66862
Michiko Hirayama inspired Giacinto Scelsi to write his twenty-part cycle "Canti del Capricorno" between 1962 and 1972. To this day the Japanese singer (b. 1923) is a unique performer of this spiritual yet energy-filled work for solo voice, with instrumental accompaniment for certain songs: Scelsi’s notes in his own hand in the score; that is her treasure, when she comes to Ulm in May 2006 to give a concert in the series neue musik im stadthaus. Michiko Hirayama is a vocal power station; she is once again very young. On this WERGO CD, it has been recorded: a document of lived, immediate music. This is to be her legacy, she says openly.
Recommended by KLASSIK.COM