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音楽が大好き

超久しぶりに全作品をチェックしたくなった作曲家、Giacinto Scelsi (The composer that I wanted to check all works super after a long absence is Giacinto Scelsi )(2017.3.21)

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まずきっかけは「Anahit」という曲をNHKFMで紹介されてから、、、

一つの音の倍音成分の変化や、近接する周波数によって発するうなりが、脳内で響き渡り虜となってしまった。

これは多分、音響現象を音波として捉えその倍音をスペクトル解析したり理論的に倍音を合成することによる作曲の方法論をとるスペクトル学派にScelsiが影響を与えていたからで現代のelectronicaにそのまま直接通じることだ。

この数年electronicaを傾聴してきた僕が虜になったのも当然と言える。

2,3枚購入して聴いたがどれもアコースティックのみで、現存するどのelectronica作品よりも倍音が豊かであると思ってしまう。

electronica作品には人の演奏でできないことを期待していくと同時に

彼の作品は共同作曲者がいたことで多作に繋がっていて多くあり、シンプルな現代音楽のエッセンスをチェックしていきたい。

以下購入できたものを今後挙げていく。

At first after being introduced music called "Anahit" in NHKFM with an opportunity,

A growl to utter by the change of the harmonic overtone ingredient of one sound and frequency to approach it echoed in brain, and it has been with a captive.

Probably this is to be because Scelsi affected the spectrum school taking the methodology of the composition by catching a sound phenomenon as a sound wave, and a spectrum analyzing the harmonic overtone, and composing a harmonic overtone theoretically, and to just know modern electronica directly.

Naturally it can say that I who listened to electronica for these several years became a captive.

I purchase two or three pieces and listened, but think that a harmonic overtone is richer than which electronica work existing only in all acoustic.

At the same time to hope that I cannot do it by the performance of the person in electronica work

Because there was a cowork by the same author suspicious person, his work is connected to many products, and there is many it and I want to check extract of simple contemporary music.

I will nominate the thing which I was able to purchase as follows in future.

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GIACINTO SCELSI (1905-1988)
Yamaon (1954-58) 12:02
für Bass-Stimme und 5 Instrumentalisten
1 1. Satz 3:17
2 2. Satz 5:00
3 3. Satz 3:45
4 Anahit (1965) 13:44
lyrisches Poem über den Namen der Venus
für Violine solo und 18 Instrumente
I presagi (1958) 13:30
für 10 Instrumentalisten
5 1. Satz 3:41
6 2. Satz 4:05
7 3. Satz 5:44
Roland Hermann baritone
Annette Bik violin
Pierre-Stephane Meugé saxophone
Klangforum Wien • Hans Zender conductor
Tre pezzi (1956) 9:26
für Sopransaxophon
8 1. Satz 2:43
9 2. Satz 4:07
10 3. Satz 2:36
11 Okanagon (1968) 8:33
für Harfe, Tam-Tam und Kontrabass
TT: 57:19

 

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  Giacinto Scelsi: Complete Flute Music 

Artist

Claudia Giottoli flute

Raffaele D'Aniello piano

Leonardo Ramadori percussions

Natalia Benedetti clarinet

Track list

Hyxos [1955] for alto flute,2 gongs and cowbell 

1. I. Tranquillo                                   4:03

II. Con moto                                  2:30

III. Tranquillo                                 4:17

 

I. —                                               2:55

II. —                                              1:54

III. Prestissimo                              3:37

Quays [1954] for flute                    2:35

Rucke di Guck [1957] for piccolo and oboe 

9. I. —                                               2:41

                                             3:07

                                             3:50

Ko-Lho [1976] for flute and clarinet

I. —                                             3:20

II. —                                            3:01

Tetratkys [1959] for flute

I. —                                             8:28

                          4:29

                                          8:19

                                                         4:40

 

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1.Ohoi (for 16 strings) 'I principi creativi' (Giacinto Scelsi)

Münchener Kammerorchester, Christoph Poppen
Giacinto Scelsi - Three Latin Prayers for solo voice
2.Three Latin Prayers for solo voice (Giacinto Scelsi) Ave Maria (for violoncello solo)
Frances-Marie Uitti
3.Anâgâmin (for 11 strings) 'Colui che scelse di ritornare o no' (Giacinto Scelsi)
Münchener Kammerorchester, Christoph Poppen
Giacinto Scelsi - Trilogy - The three ages of Man
4.Trilogy - The three ages of Man (Giacinto Scelsi) Ygghur I (for violoncello solo)
Frances-Marie Uitti
5.Trilogy - The three ages of Man (Giacinto Scelsi) Ygghur II (for violoncello solo)
Frances-Marie Uitti
6.Trilogy - The three ages of Man (Giacinto Scelsi) Ygghur III (for violoncello solo)
Frances-Marie Uitti
7.Natura renovatur (for 11 strings) (Giacinto Scelsi)
Münchener Kammerorchester, Christoph Poppen
 
Giacinto Scelsi - Three Latin Prayers for solo voice
 8.Three Latin Prayers for solo voice (Giacinto Scelsi) Alleluja (for violoncello solo)
Frances-Marie Uitti

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Giacinto Scelsi: Suites No.8 "Bot Ba", No.9 "Ttai" 

 Steffen Schleirmacher

 

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Scelsi* - Jürg Wyttenbach, Orchestre De La Radio-Télévision Polonaise De Cracovie*, Chœur De La Philharmonie De Cracovie* – Œuvres Pour Chœur Et Orchestre

 

  Aion  
1-1 Untitled 7:38
1-2 Untitled 3:45
1-3 Untitled 3:40
1-4 Untitled 5:02
  Pfhat  
1-5 Untitled 1:58
1-6 Untitled 1:04
1-7 Untitled 3:03
1-8 Untitled 2:35
  Konx-Om-Pax  
1-9 Untitled 7:26
1-10 Untitled 2:00
1-11 Untitled 2:35
  Quattro Pezzi Per Orchestra (Ciascuno Su Una Nota Sola)  
2-1 Untitled 2:44
2-2 Untitled 4:32
2-3 Untitled 4:08
2-4 Untitled 3:55
2-5 Anahit (Poème Lyrique Dédié À Vénus)
Soloist, Violin – Carmen Fournier
13:05
  Uaxuctum  
2-6 I 6:27
2-7 II 4:01
2-8 III 2:37
2-9 IV 3:10
2-10 V 3:42
  Hurqualia  
3-1 I 4:36
3-2 II 3:29
3-3 III 4:30
3-4 IV 4:48
3-5 Hymnos 11:30
  Chukrum  
3-6 I 5:38
3-7 II 4:05
3-8 III 2:22
1-9 IV 5:13

 

ChoirChœur De La Philharmonie De Cracovie* (tracks: 1-1 to 2-10)

NOTE

Consists of the previously world premiere recordings, made between 1988 and 1990 at Sainte-Catherine de Cracovie and released by Accord.

CDs in individual card sleeves, includes a 28-page French/English booklet.

℗ 1988 (CD1), 1989 (CD2), 1990 (CD3) Universal Classics France.
© 2003 Universal Classics France, un label Universal Music.

Total times: - CD1: 47'21 - CD2: 49'42 - CD3: 47'13.

Enregistrements réalisés en l'église Sainte-Catherine de Cracovie (23, 24 & 25 juin 1988 - CD1 / 12 au 20 avril 1989 - CD2 / juin 1990 - CD3).

Works composed in 1961 (Aion), 1974 (Pfhat), 1969 (Konx-Om-Pax), 1959 (Quattro Pezzi), 1965 (Anahit), 1966 (Uaxuctum), 1960 (Hurqalia), 1963 (Hymnos & Chukrum).

 

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 The Art Song Of Giacinto Scelsi: Incantations

Marianne Schuppe

Sauh I-IV (1973) 26:35
  Liturgy For Voice With Magnetic Tape
  Liturgia Per Voce Con Nastro Magnetico
1 I 6:39
2 II 6:15
3 III 6:47
4 IV 6:54
  Taiagarù (1962) 13:01
  5 Invocations For Female Voice
  Cinque Invocazioni Per Voce Sola
5 I 2:53
6 II 2:15
7 III 2:58
8 IV 1:54
9 V 3:01
  Hô (1960) 10:44
  4 Melodies For Female Voice
  Quattro Melodie Per Voce Sola
10 I 1:52
11 II 2:42
12 III 3:27
13 IV 2:43

   Copyright (c)New Albion Records, Inc.

Credite

Notes

Recorded at Kirche Tüllingen, Germany, December 2004.
Published by Ed. Salabert, Paris.
Housed in jewel case with 16 page booklet containing liner notes in English and German.
©℗ 2005 New Albion Records, Inc.
 

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1 Pranam II
Ensemble – Ensemble 2e2mOrgan – Livia Mazzanti
7:09
2 To The Master
Cello – Carlo TeodoroPiano – Aldo Orvieto
14:12
3 Wo Ma
Bass Vocals – Nicholas Isherwood
14:10
4 Rotativa
Conductor – Marco AngiusEnsemble – Ars Ludi Ensemble*Piano – Cristina Biagini, Marco Marzocchi
6:33
5 Trio
Ensemble – Musicateatroensemble
5:45
6 Preghiera Per Un'Ombra
Clarinet – Véronique Fèvre
9:42
7 Chukrum
Conductor – Luca PfaffOrchestra – Orchestra Di Roma E Del Lazio
18:20

CREDITE

NOTE

Pranam II (1973) For Ensemble
To The Master (1974) For Cello And Piano
Wo Ma (1974) For Bass Voice
Rotativa (1930) For Two Pianos And Percussion Ensemble
Trio (1950 ca.) For Vibraphone, Marimba And Percussion
Preghiera Per Un'Ombra (1954) For Clarinet In B Flat
Chukrum (1963) For String Orchestra

Tracks 1 and 6 recorded at Conservatorio di Musica di S. Cecilia - Roma, 29.12.2005
Track 2 recorded at Auditorium del Goethe-Institut Roma, 28.11.2005
Tracks 3 and 4 recorded at Auditorium del Goethe-Institut Roma, 13.11.2005
Track 4 recorded at Sala ExMacelli, Montepulciano, 3.8.2007
Track 7 recorded at Auditorium Parco della Musica, 5.2.2006

Housed in jewel case with 28 page booklet containing Italian, English and French liner notes.
Total time: 75:54

℗© 2007 Stradivarius
Made in Italy
 
 

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Ed. RZ 1014 CD
Giacinto Scelsi (1905 - 1988)

Anagamin Celui qui choisit de revenir ou pas, Pranam I En souvenir de la perte tragique de Jani et Sia Christou, String Quartet Nr. 4, Quattro pezzi su una nota sola, Okanagon doit être considéré comme un rite et, si l'on veut, comme le battement de coeur de la Terre, String Quartet Nr. 2
Anagamin Celui qui choisit de revenir ou pas for 12 Strings (1965 (SFB 1990), Ensemble Oriol Berlin, Ltg. Sebastian Gottschick)

Pranam I En souvenir de la perte tragique de Jani et Sia Christou for voice, 12 instrumentalists and tape, 1972 Fondazione Isabella Scelsi, Rom 1972) Michiko Hirayama, Stimme, Ad Hoc Ensemble, Ltg. Vieri Tosatti

String Quartet Nr. 4 1964 (RB 1994) Pellegrini-Quartett:
Antonio Pellegrini, 1. Violine; Thomas Hofer, 2. Violine; Charlotte Geselbracht, Viola; Helmut Menzler, Violoncello

Quattro pezzi su una nota sola for chamber orchestra, 1959 (Les Disques Solstice 1982) Ensemble 2e2m, Ltg. Luca Pfaff

Okanagon doit être considéré comme un rite et, si l'on veut, comme le battement de coeur de la Terre for harp, Tam Tam and bass (1968 (Les Disques Solstice 1982) Ensemble 2e2m, Ltg. Luca Pfaff)

String Quartet Nr. 2 1961 (WDR 1979) Berner Streichquartett: Alexander van Wijnkoop, 1. Violine; Eva Zurbrügg, 2. Violine; Henrik Crafoord, Viola; Walter Grimmer, Violoncello
 

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Scelsi collection vol.7

Autore:
SCELSI Giacinto - (1905-1988) - Pitelli - La Spezia - ITALIA

Interpreti:
D'ERRICO ANNA (piano)
FUSI MARCO (violino)

Titolo: Suite n.6 I capricci di Ty per piano
Anno di registrazione: 2016
Tipo di registrazione: D

Titolo: Divertimento n.1 per violino e piano
Anno di registrazione: 2016
Tipo di registrazione: D

Titolo: L'Ame ailée/L'Ame ouverte per violino solo
Anno di registrazione: 2016
Tipo di registrazione: D

Titolo: Xnoybis per violino solo
Anno di registrazione: 2016
Tipo di registrazione: D

 

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The Piano Works 3

Aki Takahashi, piano

1-7. Suite No. 10 "Ka" (1954)
Quattro Illustrazioni (1953)
     8. I. Shesha-Shayi-Vishnù (3:46)
     9. II. Varaha-Avatara (3:46)
     10. III. Rama-Avatara (con eleganza e seduzione) (2:36)
     11. IV. Krishna-Avatara (calmo, radioso) (4:06)
Sonate No.3 (1939)
     12. I. Lento, rubato (8:41)
     13. II. Con dolcezza (5:11)
     14. III. (6:06)
Cinque Incantesimi (1953)
     15. I. Deciso imperioso (2:23)
     16. II. Presto (wild and strident) (1:37)
     17. III. Agitato (1:40)
     18. IV. Lento (Misterioso, soprannaturale) (3:33)
     19. V. (wild and strident) (2:10)
     20. Un Adieu (1978/88?) (6:58)

 

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Canti del Capricorno

Venti canti per voce femminile o voce con strumento(i)

 

  • Edi­tion: CD
  • Year:2007
  • Order No.:WER 66862

 

Michiko Hirayama inspired Giacinto Scelsi to write his twenty-part cycle "Canti del Capricorno" between 1962 and 1972. To this day the Japanese singer (b. 1923) is a unique performer of this spiritual yet energy-filled work for solo voice, with instrumental accompaniment for certain songs: Scelsi’s notes in his own hand in the score; that is her treasure, when she comes to Ulm in May 2006 to give a concert in the series neue musik im stadthaus. Michiko Hirayama is a vocal power station; she is once again very young. On this WERGO CD, it has been recorded: a document of lived, immediate music. This is to be her legacy, she says openly.

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